![]() This is the reason his materials seem to work rather well in this network. While he provides, when consulted, very important inputs to the writing and staging of the scenes in every series from his material, he doesn’t impose upon the production team. The series pilots tonight.Īs in the other series before it, Totoy Bato has been updated to be more attuned to the changing tastes of television audience.Ĭaparas who has given GMA Network permission to serialize several others in his cache of graphic novels (some of which had been turned into movies in the past) is not meddlesome in the process of adapting the material to the visual medium. Tonight, Caparas fills up primetime TV viewing with another series with Robin Padilla. The series is doing better than most expected it. Recently, GMA Network launched Caparas’ Ang Babaeng Hinugot sa Aking Tadyang with Marian Rivera and Dingdong Dantes. Joaquin Bordado with Robin Padilla even became a New York Festival finalist for the Action/Adventure category. The ratings simply affirmed that the serialization of his komiks material landed on the right network, debunking the failure of his materials translated into TV stuff in another channel.īakekang gave Caparas on the Kapuso network more opportunities to animate a number of other materials that only saw the light on the pages of the komiks. It all started with Bakekang in September two years ago when Caparas’ first graphic novel about a woman with a physically deformed face became one of the highest-rating primetime TV series on GMA-7.Ĭaparas’ success as a graphic novelist is indubitable, and the success of Bakekang had been anticipated. What will television be these days without Carlo? If there’s anyone who can rightfully claim the title of “king of prime time television” it’s not an actor but now iconic komiks king Carlo J.
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